Ghost Of Time by Esteban Amaro: collect on NINFA

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In The Past Hides The Future: Part 2

A Project by @Esteban Amaro

Ghost Of Time

Esteban Amaro

Like a dream unfolding in broad daylight, this second part rises; like a tower of sand and light, ephemeral and solid at the same time. A myth brought from the past and a reflection of the future. A bond beyond time, a memory of a place we never inhabited, yet that is always present.

In these visions, the energies of the universe condense and dissipate in a single gesture. Artificial intelligence becomes an eye of time, intertwining cosmic memory with human consciousness.

The primordial stones of the first part, with their millennial strength, transmute into impossible monolithic structures, forms unique to a territory where the tangible and the intangible converge.

Here, the sculptures cease to be static presences and become stages for the speculative. Each image is a moment of the impossible, an instant of metamorphosis where matter vibrates and merges with light.

The series opens onto a liminal space, where art becomes alchemy, myth is rediscovered, and the sculptures rise as bridges between ancestral memory and a possible future.

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0.1 ETH

$294

Who is Esteban Amaro

Visual artist and photographer blurring the limits of mediums like photography, sculpture, video, installation and AI; somewhere in between minimalism, the universal questions and the environment.

Redefining concepts like time, space, and immensity, conveying a profound connection and interrelation with the universe and with the environment. Rooted in experimentation, contemplation, and ancestral wisdom, Amaro crafts a reality that reinterprets our understanding of the world; a blend of natural and supernatural elements, shifts perception and invites exploration of the unknown.

Represented by Mahara + Co in Miami and ArtStar in New York, Amaro’s work have been exhibited in New York, Miami, London, Santiago de Chile, Concepción, Valparaíso and in the Metaverse, with important galleries and curators such as: Obscura, Artcrush Gallery, Monolith Gallery, Factoría Santa Rosa, Mahara + Co and more.

A selection of important recognitions include; second place in the International Photography Awards, finalist and exhibition in the young art competition at the MAVI Visual Arts Museum in Santiago de Chile, and honorable mentions in prestigious competitions such as the Minimalist Photography Awards, The Independent Photographer, Monochrome Awards and Fine Art Photography Awards.

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interview

A conversation with Esteban Amaro

Visual artist and photographer blurring the limits of mediums like photography, sculpture, video, installation and AI; somewhere in between minimalism, the universal questions and the environment. Redefining concepts like time, space, and immensity, conveying a profound connection and interrelation with the universe and with the environment. Rooted in experimentation, contemplation, and ancestral wisdom, Amaro crafts a reality that reinterprets our understanding of the world; a blend of natural and supernatural elements, shifts perception and invites exploration of the unknown. Represented by Mahara + Co in Miami and ArtStar in New York, Amaro’s work have been exhibited in New York, Miami, London, Santiago de Chile, Concepción, Valparaíso and in the Metaverse, with important galleries and curators such as: Obscura, Artcrush Gallery, Monolith Gallery, Factoría Santa Rosa, Mahara + Co and more. A selection of important recognitions include; second place in the International Photography Awards, finalist and exhibition in the young art competition at the MAVI Visual Arts Museum in Santiago de Chile, and honorable mentions in prestigious competitions such as the Minimalist Photography Awards, The Independent Photographer, Monochrome Awards and Fine Art Photography Awards.

A conversation with Esteban Amaro

editorial

Structures in Suspension

Between memory and projection, matter and light, this series unfolds as a field of uncertainty. What emerges is not a fixed image of the future or a residue of the past, but a space of temporal suspension in which form becomes hypothesis, and imagination acts as a critical tool.

Structures in Suspension

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