Like a dream unfolding in full daylight, this second part of the series rises as a tower of sand and light, at once fragile and structured. It is an image that holds within it the tension between the ephemeral and the enduring, between what tends to dissolve and what aspires to remain. A myth resurfaces from the past and, at the same time, projects itself forward, generating a bond that transcends time: the memory of a place never truly inhabited, yet constantly present within the collective consciousness.

In these visions, the energies of the universe condense and disperse in a single formal gesture. Artificial intelligence assumes the role of an eye of time, a tool capable of weaving together cosmic memory and human perception. This is not a purely generative process, but a translational practice that renders visible temporal stratifications and archetypes that both precede and exceed individual experience.

The primordial stones of the first part, bearers of millennial strength, are here transmuted into impossible monolithic structures. These forms do not belong to a recognizable geography; rather, they occupy a liminal territory where the tangible and the intangible converge. Matter appears suspended, permeated by light, as if captured at the very moment of its becoming.

Within this context, sculpture relinquishes its static condition to become a speculative space. Each image records an instant of metamorphosis, a point of unstable equilibrium in which form vibrates and opens itself to transformation. There is no celebratory monumentality, but a continuous negotiation between presence and dissolution, weight and levity.

The series thus unfolds into a dimension in which art becomes alchemical: myth is not cited, but reactivated; sculpture does not represent, but connects. The works configure themselves as bridges between ancestral memory and a possible future, proposing an imaginary that belongs neither to the past nor to what is yet to come, but to a suspended time still in formation. Within this intermediate space, the viewer is invited to pause, to recognize in the generated forms not a definitive outcome, but an ongoing process of transformation and meaning.